Abstract2 Enoch 58–59 provides an esoteric and somewhat eccentric delineation of attitudes toward the mistreatment of animals within some sect of Egyptian Judaism, in all probability. Three attitudes, having to do with the mistreatment of animals in failing to feed them properly, the wrongful binding of animals for sacrifice, and possible secret sexual exploitation of animals, are delineated along with warnings regarding the effects of such treatment on the human soul at the great judgment. This linking of how humans treat (...) animals with how humans will be judged in “the great age” is unique in the literature of this period and demonstrates a deep concern for animal welfare that has been largely dormant in many facets of religion until more recent times. (shrink)

The edited collection Rorty and Beyond assesses and moves beyond Rorty’s legacy, bringing together leading international philosophers. The collection covers diverse territory, from his views about what we may hope for to his personal character, and everything in between.

Global security cannot be achieved until people view the world as a global community. Until such time, differences will continue to be perceived as threatening. These perceived “threats” are the primary threat to global security. This volume proposes methods for minimizing the “us versus them” mentality so that we can build a sense of global community.

Preview: Bergson noted that the cinematographic image does not really move. It is, then as now, a series of still photographs. The real motion in such images is produced by machinery, which imparts a kinesis, an energy of movement, to the succession of fixed images. Our perception then endows such images with their “life,” insofar as they can be said to possess life. It is an illusion, it is “virtual” both as space and time. The real duration, as generated by (...) the machinery or as lived by the perceiver is part of a broader system of images that includes those still photographs and their succession. Images of images of images, by the time they are processed by our bodies and appear to our mind’s eye as inhibited acts we have not enacted. (shrink)

In 1922 Charles Hartshorne, then an aspiring young philosopher, wrote to Edgar Sheffield Brightman, a preeminent philosopher of religion for twenty-three subsequent years and, remarkably, almost every letter was preserved. In their introductory essays, editors Randall Auxier and Mark Davies place the unusually rich and intensive correspondence in its intellectual context and address the relationship between personalism and process philosophy/theology in metaphysics, epistemology, ethics, and social philosophy.

"Essays explore philosophical themes in the Wizard of Oz saga, comprising the books by L. Frank Baum, the 1939 film, the novel Wicked, and related films and ...

The various efforts to put the idea of humanity on a secure ethical, political, and social base have not succeeded. The various post-humanist and transhumanist programs are inadequate. Our deep-seated suspicion of our deepest selves and motives is understandable in light of the barbarity of the twentieth century, but humanism is not to blame. The thought of Ernst Cassirer holds a framework for a new humanism, once it is rid of certain colonialist, triumphalist, and Eurocentric ideas that distorted Cassirer’s understanding (...) of the European role in creating the problems of civilization, especially its mistake of thinking that science was a progressive symbolic form of culture. I set out the basis of a new humanism based upon not the problem of knowledge, but the problem of genuine self-situating socialty, a personalist point of view. (shrink)

George Holmes Howison’s 1895 essay entitled “The Limits of Evolution,” argued that there are four things evolutionary theory does not explain. In examining whether 11 decades have made a difference in these four, I argue that the arrogance of scientists over the past century in refusing to distinguish between full explanations and explanatory hypotheses is in some ways responsible for the fundamentalist backlash against evolutionary science. A scientific community that is honest and forthcoming about its limitations is to be sought. (...) The best response to Intelligent Design, Creation Science, and other current trends in pseudoscience is to be very clear about the limits of evolutionary theory and the scope of scientific explanation. (shrink)

Popular culture is a vital part of the philosophy of culture. Immersion in the world of popular culture provides an immanent understanding, and after all, some of what is merely popular culture today will be the high culture of tomorrow. The genre of science fiction is one of the more important and durable forms of cultural and social criticism. Science fiction narratives guide our imaginations into the relation between the might-be and the might-have-been. The central idea of this paper is (...) that possibilities have an existence that is intelligible to us, independent of and indifferent to actualities, and involving a distinction between “constellated possibilities” which form a pattern dependent upon one’s perspective in some actual standpoint, and “clustered” possibilities, which actually exist entangled and inseparable from one another, as possibilities. Science fiction writers intuitively know that if one introduces a variation into the present in order to trace a plausible alternative storyline from that standpoint, certain other variations will have to accompany the chosen variation in order to maintain the unity of the plot. I use Rod Serling, the creator of the legendary series The Twilight Zone, as an example in this paper. Hence, science fiction writers do work with clusters as well as constellations of possibilities, and they experience the clusters with a stronger feeling of necessity. I call that feeling Wirkungsschicksal, of “effective destining.” I will develop this distinction and that stronger feeling of necessity into a method for the philosophy of culture. (shrink)

Philosophers analyze the last of the great rock stars.

Arthur Danto is the Johnsonian Professor Emeritus of Philosophy at Columbia University and the most influential philosopher of art in the last half century. As an art critic for The Nation for 25 years and frequent contributor to other widely read outlets such as the New York Review of Books, Danto also has become one of the most respected public intellectuals of his generation. He is the author of some two dozen important books, along with hundreds of articles and reviews (...) which have been the center of both controversy and discussion. In this volume Danto offers his intellectual autobiography and responds to essays by 27 of the keenest critics of his thought from the worlds of philosophy and the arts. The book includes 16 pages of color art reproductions. Danto is the author dozens of books on art, philosophy, the philosophy of art, and art criticism. He is a rare philosopher who is also a public intellectual. (shrink)

Religion is often criticized for failing to uphold animal concerns, yet Zoroastrianism, an ancient religion that underlies the Abrahamic traditions as well as Eastern religions, offers some strikingly contemporary concerns regarding the kinship of human and nonhuman animals. Human and nonhuman animals alike have souls, free will, and life after death. In the middle of the second millennium BCE, Zoroaster called attention to the treatment of animals as necessary to the divine order and righteousness that has been disturbed by evil (...) and sin. How humans treat animals also affects their own well-being in this world and the next. (shrink)

This paper aims to consider Peirce and Eco’s approach to signs and semiotics in order to assess their relation to Peirce’s mature pragmatism. Both thinkers attempted to set out a truly general theory of signs, and ran into difficulties on similar points. I show that the responses of Peirce and Eco to the difficulties that arose in seeking a truly general theory of signs were quite different. And yet, the differences are not so deep as to prevent us from thinking (...) of both Peirce and Eco as pragmatists, and perhaps of a similar stripe. (shrink)

Eco says that which cannot be theorized must be narrated. What about that which cannot be narrated? What must we do about the limits of interpretation, especially as narration. This review essay takes a method from Giambattista Vico and applies it to the interpretation of Laurent Binet’s portrayal of Umberto Eco in his novel The Seventh Function of Language. Comparing the character of Eco with the thought of the historical Eco we find coincidences and other angles at incidence that reveal (...) some portion of Binet’s underlying interpretation of Eco, and it limits. (shrink)

The question of the import and role of Christian allusions in Hegel’s Phenomenology of Spirit has received much historical attention, and this continues into the present. Often juxtaposed in this interpretive issue are two questions: Does Hegel think that “the ontological project was first a Greek event from which Christianity would have developed an outer graft”? Or is it more accurate to say that, “for Hegel at least, no ontology is possible before the Gospel or outside it”? In the latter (...) case, Hegel might well place the Greeks precisely where Dante had - in the First Circle of Hell. Those who would make Hegel first a philosopher in the Socratic line tend to emphasize his early work. Those who would make Hegel first a Christian tend to emphasize the later work. This question is too broad to find adequate discussion in the present essay. (shrink)

Josiah Royce (1855?-1916) has had a major influence on American intellectual life, both popular movements and cutting-edge thought, but his name often went unmentioned while his ideas marched forward. The leading American proponent of absolute idealism, Royce has come back into fashion in recent years. With several important new books appearing, the formation of a Josiah Royce Society, and the re-organization of the Royce papers at Harvard, the time is ripe for Time, Will, and Purpose. Randall Auxier delves into the (...) primary texts written by Royce. (shrink)